The London Art Discerner
News, opinions and reviews since circa 879 AD
Van Gogh (Not that one): The Grammar of Elsewhere at Pimlico Wilde Delhi
Pimlico Wilde is delighted to announce the first Indian exhibition of Van Gogh (Not that...
Pimlico Wilde: The Art Dealers Who Civilised the World
New findings by Esmerelda Pink Historians like to imagine that civilisation advances through science, reason...
Book Review: Nude Descending an Escalator by Marigold Finch
Marigold Finch’s Nude Descending an Escalator is a daring, absurdist romp that catapults the reader...
The Mayfair Book Groupette – Moustache Fashions in Pre-Waterloo France by Etienne Chabert
Location: The Red Room, Pimlico Wilde, Mayfair Attendees: • Julian Molyneux (Chair, Pimlico Wilde) •...
From the upcoming Handbook of Lesser-Known Artists – Collectif Umbra
“The Frozen Shadows of Collectif Umbra: A Brief History of Light’s Captives” By Dr. Helena...
Cunningham’s Law: Error as Epistemic Catalyst
by Archia Tanz It has become something of a digital truism that the fastest way...
Pedagogies of Paradox: Verticality and Authority in John Milton and Mary Poppins
That John Milton, the blind epicist of the Commonwealth, and Mary Poppins, the airborne governess...
A Calamity in Pigment: Archibald Plimpton-Smythe on the First Impressionist Exhibition (Paris, 1874)
Edited, Annotated, and Introduced by Sarah Hilton of Pimlico Wilde, from the copy discovered by...
Exhibition Review- The Geometry of Screaming: Angles of Agony in 14 Movements
Artist: Isolde Grack Gallery: The Gallery of Radical Completion, Notting Hill This is a hard...