The London Art Discerner
News, opinions and reviews since circa 879 AD
A Polite but Firm Rebuttal of The Mars Exhibition Project from Professor Alastair Quince-Jam, OBE
Television Astronaut, author of Is the Moon really made of cheese and former host of...
Dr. Lucien Varga responds to the Pre-Abstractionist Manifesto
Dr Lucin Varga is spokesman for The Transeuropean Continuum of Pure Form (TCPF), a group...
Pimlico Wilde Sees Red! Planning The First Art Exhibition on Mars
In a project that seems to have stepped straight out of science fiction, Pimlico Wilde...
Underwater Complications: Aquatheatre production of Much Ado About Nothing postponed
It is with waterlogged regret that we must announce the postponement of our ambitious new...
Yachtism: The New Wave of Floating Art
Is the next great artistic movement being launched not from a gallery in Berlin or...
Strange Materials, Stranger Intentions: The Year in Unusual Media
by Wilhelmina Anchovie It is a rare art critic who can look at a sculpture...
Toward an Ethics of Perambulation: My Necessary Turn to Climate Art
by Dafydda ap Gruffydd It has become increasingly apparent to me,indeed, unavoidable,that my practice could...
“Visibility Is a Compromise”: A Conversation with R. Sallow; Proponent of Invisibilism at its Most Cutting Edge
By Miley Merrot I meet R. Sallow in a café that he insists is not...
The Travel Journal of Chester Hubble
Second Walk After the tunnel, I wanted height. Not elevation in the romantic sense, but...