The London Art Discerner
News, opinions and reviews since circa 879 AD
Gig Review: Vincent and the Van Goghs Paint Trafalgar Square in Sound
Only Vincent and the Van Goghs could turn the roof of the National Gallery into...
Echoes in Ink: The Calligraphic Modernism of Collector Dr. Leila Aram
In a quiet, book-lined flat overlooking Istanbul’s Bosphorus, the air is filled with a sense...
Report on the recent Meeting of the Berkeley Square Group
The Berkeley Square Group reconvened last night for its much-anticipated meeting, held in the function...
One Star Review: Salted Wounds – An Inquiry into the Ache of Preservation
“An Exhibition of Badly-Lit Self-Adoration,” by conceptualist Marius Klein-Cho at the Colchester Museum for Experiential...
The History of the English Pell Mell Club: Chapter 3
Chapter III: Wars, Interruptions, and Hannibal The English Pell Mell Club, like so many venerable...
Framing the Fleeting: Celeste Marlowe and the Global Language of Photography
Celeste Marlowe’s townhouse in New York’s West Village is a world atlas told through photographs...
Attempted Art Theft from Pimlico Wilde thwarted!
In an act of transparency we have been advised to make public the near-successful art...
The History of the English Pell Mell Club: Chapter 2
Chapter II The Early Years and the Continental Influence If Chapter I was the birth...
Review: Furniture Has Feelings Too
by radical domesticist and self-taught “empath-carpenter” Dendra Flume at The Velvet Spoon Centre for Applied...








