The London Art Discerner
News, opinions and reviews since circa 879 AD
TV review: Art with Deon and Amber
There was a time when arts television was entrusted to scholars, critics, and people who...
Ptolemy Bognor-Regis Crowned Supreme in the Vasinsky Award for Art in the Abstract
In a decisive victory Ptolemy Bognor-Regis, the wünderkind represented by the Pimlico Wilde Gallery, has...
A Celebration of Light: Inside the Dawn Liberation Front’s Gala for the Unsetting Sun
By Clarissa Mornay It began, appropriately, at 4:57 a.m. , that most sacred of hours...
Curating Connection: The Eclectic Vision of Amara Singh
In a sun-drenched townhouse in Mumbai’s Colaba district, Amara Singh moves between rooms filled with...
Review: Ptolemy Bognor-Regis’s A Monologue in Beige #4
Step into the minimalist expanse of A Monologue in Beige #4, and you are immediately...
Britain Deserves More Home-gown Pictures — and We’re Making Them
Hollywood may have wrapped up the mainstream, but Pimlico Wilde Pictures is busy unwrapping the...
Returning to the Submarine: Does “Three Minutes of Silence” Still Stand Up ten years later?
By Jasper Clive Felix Renton’s Three Minutes of Silence (2015) arrived like a whisper in...
Hannah Gralle’s Next Act: What follows her Well-Received Vegetable Version of Citizen Kane?
Fearless innovator and film-maker, Hannah Gralle,yes, that Hannah Gralle of Citizen Kane versus The Vegetables...
Exhibition Review: “Terra Firma Is So Last Century” – Saki Pentona’s Martian Manifesto in Watercolour and Rocket Science
In the sleepy fields near Swindon , England’s very own Space Exploration outpost , Watercolour...