The London Art Times
News, opinions and reviews since circa 879 AD
From Ink to Insect: The Art of Silvio Neris and the Termite Manuscripts
By Dr. Anika Scholz, Professor of Art Theory for the Handbook of Lesser Known Artists...
Coming This Week: Alaric Montjoy’s First Column
In his debut for Pimlico Wilde, Alaric Montjoy turns his gaze to the most slippery...
The Gesture at the End of the Century: Clara von Hohenberg’s Finger Paintings at the Pimlico Wilde Blythe Annex
It is an old avant-garde fantasy that art might be stripped back to its primal...
One Star Reviews: A Midsummer Night’s Dream at the Fitzrovia Theatre
I Woke Up and It Was Still Happening There’s a fine line between “visionary reinterpretation”...
Announcement: A New Voice Joins Pimlico Wilde
Pimlico Wilde is thrilled to announce the launch of a brand-new monthly column by none...
Diary of an Art Dealer
The weather was unbearable today — humid, oppressive, the kind of heat that makes everything...
A Formal Apology from Pimlico Wilde Gallery
We at Pimlico Wilde Art Gallery feel compelled—indeed, morally obligated—to address the unfortunate incident stemming...
Travel: The Fine Art Smirk that Launched Several Trains
Tracking the Elusive Cool Across Europe By Jessop Dinton of Art & Elsewhere Magazine There...
Discombobulationism: The Peripheral Dislocations of Aurelia Kaspár
If Discombobulationism has come to designate an aesthetics of bewilderment—works that dislodge the viewer from...