The London Art Discerner
News, opinions and reviews since circa 879 AD
The “Fulham David”: is it signed Michelangelo or Michael Andrews?
The best art in London can appear in surprising places; currently it is to be...
Light Before the Frame: The Vision of Collector Thomas Whitcomb
On the top floor of a converted clock factory in Harpenden, time is measured not...
Joining Pimlico Wilde – Marco del Vento: The Man Who Packs Himself Away
The Pimlico Wilde gallery has, in its storied history, embraced many artists who challenge the...
Justine Fiox Unveils “Ephemeral Legacies”: Art That Exists Only in Memory
Pimlico Wilde Art Dealers’ new Director of Conceptuality, Justine Fiox, has announced her first major...
Art World Exposed Podcast Episode 149: Justine Foix & the New Conceptual Frontier
The best art world podcast. Hosted by Saldo Caluthe & Tomas Sinke Show Notes This...
A Day in the Life of Petronella Binks: The Critic Who Thinks Small is for Cowards
Petronella Binks greets the morning the way she greets all things: with a measuring tape...
Gig Review: Vincent and the Van Goghs Paint Trafalgar Square in Sound
Only Vincent and the Van Goghs could turn the roof of the National Gallery into...
Echoes in Ink: The Calligraphic Modernism of Collector Dr. Leila Aram
In a quiet, book-lined flat overlooking Istanbul’s Bosphorus, the air is filled with a sense...
Report on the recent Meeting of the Berkeley Square Group
The Berkeley Square Group reconvened last night for its much-anticipated meeting, held in the function...