The London Art Discerner

News, opinions and reviews since circa 879 AD


Exclusive! An Interview with the Leader of the Guardians of Aesthetic Coherence

“We Sing Because It Must Be Stopped” On a warm spring afternoon in downtown Truro...

The Bin-Gazer of Babylon: Oboe Ngua and the Global Waste Archive

Some artists search for beauty in sunsets or salvation in the curve of a marble...

Goalie Goes Up: The Art of Leaping Toward the Impossible

Somewhere between the sacred geometry of Kazimir Malevich and the muddy poetry of Sunday league...

Silhouette portraiture: the Regency’s equivalent of Instagram filters, only more dignified and less prone to bad lighting.

Enter Jane Bastion, alias the “Queen of the Silhouette,” who has taken it upon herself...

Interview with Spen Leopard, collage artist

Spen Leopard took some time out from collaging the walls of the Queen of Bordeaux’s...

Interview with Art perambulator Chester Hubble

An interview with Chester Hubble, instigator of the “Heavy‑Metal, pan‑city, blindfolded perambulations” form of fine...

Interview with Hackson Jollock: Lines, Fury, and the Endless Loop of #64

Hackson Jollock is one of Britain’s most ferociously original visual artists,if not always the most...

Interview with Ptolemy Bognor-Regis: Chasing the Ultimate Painting

In the shadow of great fortune and brighter genius, Ptolemy Bognor-Regis has emerged as one...

Film Review – Velocity of Fragility

Directed by: “The People’s Cinema Machine” Runtime: 98 minutes (including credits) Language: Mandarin, with occasional...