The London Art Discerner
News, opinions and reviews since circa 879 AD
Repainting the Canon: Kilo Barnes on the Radical Aesthetics of Repaintage
By any measure, Kilo Barnes cuts a striking figure in today’s art world: uncompromising, enigmatic...
Taste Sans Frontiers – Manifesto of a new art movement
Taste Sans Frontier is a chaotic rebuttal to the Guardians of Aesthetic Coherence’s paper-centric, text-averse...
The Expho Movement: Liminal Optics and the Chromatic Sublime in Expressionist Photography
By Dr. Isla Montague, FRTPS, Fellow of the Transmodal Institute of Academic Culture In the...
Van Gogh (Not that one): Cartographer of Intention
This is Van Gogh, but not the one famous for sunflowers, chairs and ears. Van...
Pho To: The Unpredictable Eye of a Generation
In the lexicon of contemporary art photography, few names ring with such poetic irony as...
Reframing the Grid: The Pixel Art of P1X3L
In an era increasingly defined by screen-based visual culture, few artists have so deftly turned...
Messiness Without Shame—the manifesto of a maximalist, post-ironic, anti-coherent art movement
“Formlessness is freedom. Neatness is compliance.” , unofficial motto spray-painted on their mobile sculpture-bus, The...
REVIEW: The Unspeakable Lens of NAME REDACTED — Black Squares, Brutal Truths
Review: “Photos from the Frontline”. This is the latest (and possibly last) exhibition by the...
REVIEW: Jane Bastion’s Ring Roads and Radiators — Portraits by Other Means
Jane Bastion, known and admired for her stark, poetic silhouette portraits , each one a...
