The London Art Discerner
News, opinions and reviews since circa 879 AD
Celestial Canvases: Pimlico Wilde to Curate the British Space Station’s Fine Art Environment
In a move that fuses aerospace engineering with the loftiest aspirations of cultural diplomacy, Pimlico...
How to Collect Fine Art
Scarcity Plus Narrative Equals Value: The Eternal Law of Collecting By Sabby Toast, Collector, Philanthropist...
Another Slice of The History of Pimlico Wilde: Advisers to the Great, Merchants of Taste
By Archibald Haversham It is one of the art world’s great open secrets that Pimlico...
Welcome to Jules Carnaby: The Maestro Steering Pimlico Wilde into a New Era
In the rarefied world of high art, few figures command the respect, admiration, and quiet...
A Reply from Pimlico Wilde to Lord Accrington’s Letter
To Lord Accrington, Patron Emeritus, Society for Eternal Aesthetics My Lord, Permit me, as the...
Collector Prospectus: For the Works of Sebastian Veyra
(b. 1984, Cádiz, Spain) Pimlico Wilde is honoured to present the debut solo exhibition of...
Review: Sofia Erdenko’s Saltwind: Etudes for the End of Time
It is difficult to recall, in recent decades, a work of cello music as uncompromisingly...
Film Review: The Thirty Eight Steppes
To approach Andrei Vlasov’s masterpiece The Thirty Eight Steppes without recalling Hitchcock’s The 39 Steps,and...
The Art Detective – Ravenna part 4
True Art Crime: The Ravenna Job , Epilogue Act Four: The Discovery Black screen...